Vintage Bagpipes

Scroll down to see vintage pipes available.

There is something in the mystery of the old instruments that captivates and motivates us. Is the old wood really better? Did the old makers know something we don’t? Do musical instruments improve with age? Why do so many great players play vintage pipes? Who was the greatest maker of all time?

Jim McGillivray playing an ebony and ivory set of circa 1850s pipes thought to be made by Duncan MacDougall’s father, John. Photo by Paul Mosey.

These questions and others continue to occupy the thoughts of vintage bagpipe aficionados. I take pride in acquiring great old pipes. I take great care in their refurbishment and in playing them to determine their musical worth.  I also go to great lengths to make sure vintage bagpipe buyers know exactly what they are getting in terms of make, quality and any repairs that have been undertaken.

If you’re looking for an old instrument, I hope you’ll trust me to help you. If you’re not looking for an old set, check out my new offerings or just take the time to enjoy the photos and descriptions of bagpipe history below.

If you have an old set you would like to part with, please email me.

Coming Soon or Currently in Refurbishment

Watch this space for instruments on their way to the vintage page.
~cica 1930s Robert Reid, full ivory – NOW POSTED
~circa 1880 John Center, full ivory 
~Henderson, circa 1910, full ivory – NOW POSTED
~Henderson, circa 1915, ebony, nickel, casein – NOW POSTED
~circa 1890s Robert MacKinnon, ebony, full ivory
~Atherton MD, 2014, plain silver, imitation ivory
~Henderson 1930s, nickel and ivory – NOW POSTED

 

 

Vintage Pipes Currently Available

 

  • Henderson, circa 1910, full ivory

    SOLD – This set came to me from a gentleman who played them in the great City of Toronto Pipe Band in the 1960s. They were a dominant force in grade 1 in Ontario for many years, and placed 5th at the World Championship in 1966.

    The set is blackwood, mounted in full ivory. It appears to have been refinished in the not-too-distant past. It has one noticeable flaw, and that is about a third of the upper projecting mount on one tenor bottom has broken off and is worn fairly smooth.  It’s visible in the photos. The upper projecting mount of the bass bottom has quite a deep spider crack, but the piece is very stable.

    This set played in booming Henderson fashion — a great, seamless blend  that stayed nicely in tune for the 10 minutes I played it.

    Email me about this set.

    As shown, sticks and stocks only
    CAD $4,250 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $4,995 plus shipping

  • Henderson, circa 1915, ebony, nickel, casein

    We have a few great Hendersons on the site right now, and this is another. Likely made before 1920, it is ebony with wood projecting mounts, nickel ferrules and casein ring caps. This means the bagpipe is free of ivory: rare for an old Henderson.

    The blowpipe and blowpipe stock have both been fitted with brass linings, though there is not a hint of a crack in either piece. The cord guides are stamped ‘P. Henderson, Glasgow’.

    The set is in really excellent shape. Played like an ebony Henderson:  full but not booming, rich and steady with a nice, full bass.

    Email me about this set.

    As shown, sticks and stocks only
    CAD $4,550 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $5,295 plus shipping

  • Henderson, circa 1920s, cocuswood or Brazillian kingwood, nickel, ivory

    This set was purchased used in Pembroke, Ontario in the 1930s and has been in the same family ever since. One owner took them to Korea during the Korean war in the 1950s and played them in ceremonial events.

    The wood looks like cocuswood, but its lighter, streaked hue also suggests Brazillian kingwood, also used by pipemakers in the first half of the 20th century. The projecting mounts are wood, the ferrules are nickel, and the ring caps are ivory. The blowpipe is a polypenco-lined blackwood replica. All other pieces are original.

    This is one of the most voluminous Henderson pipes I have played.  In all respects this is a classic Henderson in volume, seamless tone and steadiness.  Though not all Hendersons are stamped in the cord guides, this set is.

    Email me about this set.

    As shown, sticks and stocks only
    CAD $4,450 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $5,195 plus shipping

  • Robert Reid, circa 1930s, full ivory

    Robert Reid was one of the greatest players of the 20th century. He operated a small pipemaking firm from 1932 until 1957 in Glasgow, so this bagpipe has a bit of history going for it in addition to a great sound.

    The bagpipe is mounted in full ivory with projecting mounts in the Henderson tradition.

    The pipes are in excellent condition but for a couple of ivory chips and a slightly stained blowpipe mount.

    I’d never played a Robert Reid bagpipe before this and I was pleasantly surprised. I tested the pipes while I was testing four lovely sets of old Hendersons, and this bagpipe sounded right at home: very full and resonant, with great chanter blend and steadiness.

    Email me about this set.

    As shown, sticks and stocks only
    CAD $4,450 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $5,195 plus shipping

  • Henderson, circa 1935, imitation ivory, nickel, ivory

    This would be a confusing bagpipe to come across because it was remounted at some point with non-replica mounts. After considerable study, the pipes were determined to have probably been made in the 1930s.

    At some point the pipes were remounted by the David Naill company, who used their own projecting mount design.  The ring caps were not touched, and are ivory. Hemp stops were added during the remount.  Overall, the pipes are in excellent condition. All pieces appear to be original.

    Like several other sets on the site right now, this set was full, classic Henderson: rich, steady and enveloping.

    Email me about this set.

    As shown, sticks and stocks only
    CAD $4,250 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $4,995 plus shipping

  • MacDougall/Center, circa 1890s, ebony, ivory

    This set likely dates from the 1890s or a little later. It is made in ebony and full mounted in ivory. It was purchased as a Duncan MacDougall, but since that time has been identified as possibly being Gavin MacDougall, possibly John Center.

    At some point fairly recently the set was stripped and refinished by Dunbar Bagpipes. One of the tenor tops had been broken and subsequently lost, so a replica piece was made in African blackwood, with premium imitation ivory mounts that match the set extremely well. The blowpipe had also been lost. A replica has been made with a nicely matching holly mount. The set is priced accordingly.

    The pipes played with a seamless and steady tone, with an excellent chanter blend.

    Email me about this set.

    As shown, sticks and stocks only
    CAD $4,450 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $5,195  plus shipping

  • Chisholm (Robertson), circa 1940, African blackwood, nickel, imitation ivory

    The company “Chisholm and Hunters” or just plain “John Chisholm” was listed as a bagpipe maker from 1901 until 1949, according to Jeannie Campbell’s expert book “Highland Bagpipe Makers.” The company carried sundry non-piping-related items as well, and quite likely bought pipes from other makers. Vintage expert Ringo Bowen believes, on the strength of a former Robertson employee, that many of the early Chisholm sets were made by Lawrie, and later sets by the James Robertson company. This set falls into the latter category, and is in fact one of the sets pictured on Ringo’s Bagpipe Museum “John Chisholm” page.

    Likely made by either James Robertson himself or James Martin — perhaps Robertson’s best turner — the set displays some differences from Robertson sets, but the wood projecting mounts, the stocks and the tapered tuning chamber externals display a distinctly Robertson flavour. The instrument is beautifully turned.

    Any doubts about the make evaporated when I played the drones with my own Canning reeds. They were robust, seamless and steady very much like scores of Robertson’s I’ve played.

    The pipes are in great shape. The ferrules are nickel and the caps are what appears to be imitation ivory. The imitation ivory may not be original. The blowstick stock had a small crack that was been repaired. There is one rice-grain sized chip on the bead on the plastic bass ring cap.

    Email me about this set.

    As shown, sticks only
    CAD $4,150 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $4,895  plus shipping

  • Lawries, circa 1930, nickel and ivory

    This is a classic late 1920s-1930 Lawrie set distinguished by large beads on the ivory projecting mounts.

    The set was in very good condition, and a complete strip revealed no cracks. The set was refinished, and fissures in the ivory bass ring and the blowstick projecting mount were filled and stabilized.  The blowpipe stock is a poly replica with the original mount. The tapered nickel mounts are in mint condition.

    The set played with a rich, steady sound that locked nicely. The tenors tune a touch low.

    Email me about this set.

    As shown, sticks only
    CAD $3,250 plus shipping

    Set up to play by Jim McGillivray with Ross or Bannatyne bag, polypenco chanter of choice, Ezeedrone drone reeds, Highland Gear bag cover, plain coloured silk drone cords, plastic chanter cap. (To add Ross or Bannatyne Canister system and Ross valve/watertrap, add CAD $165) (For an African Blackwood chanter instead of polypenco, request add-on price.)
    CAD $3,995  plus shipping